An interesting article in Psychology Today brought back memories of graduation, specifically the morning after a rousing party with some of my peers in J-school.
The hangover had firmly set in, and a friend popped by to pick up ... okay, here's where the hangover-cloud comes in ... a cake? Yes, I believe it was the tray on which a celebratory cake of some sort had been consumed from the night before.
This friend, who shall remain nameless, always held a very esteemed place in my mind. The go-getter, the organizer, the one with lofty goals. AND she was NICE. (One time I even revealed my envy -- I mean, esteem -- for her to one of my teachers, who kindly said that this student had a lot of support from family in the city and we're not all that lucky. I've tried to hold on to that consolation in the years that followed, but as I watch her Skype location dart from one exotic locale to the next, it sometimes feels like just that: a consolation.)
So, in my alcohol-induced half-day depression, and with a bright-faced go-getter at my door, I collapsed. I let this girl hear my sad story about how I don't think I'll actually make it out there in journalism 'cause I"m just not... her. Not willing to file innumerable forms and put in countless years for a permanent position with a national media company. Not willing to volunteer my summers away in the hopes that I outshine the other unpaid interns. Not willing to trust that the future will all be fine if I just buy a pantsuit and keep my nose to the grindstone.
I can't remember what she said but it really didn't matter. She was nice, the hangover wore off, and I continued on with my own, unique career path. It hasn't been completely boring, but it's not a bio that would rock anyone's world, either.
But Psychology Today came at me today with some good news: the bad economy doesn't foster skyrocketing success, so we should just lay back and enjoy ourselves!
In A Vacation From Your Dreams, Judith Sills, PhD. argues: There's a hidden bonus in our mass loss of net worth ... It's a respite from ambition.
For Sills, the news her own competitor (well, a slacker she knew in high school) had lost his job meant a relief from the rat race:
"My own practice has felt the sting of this economic downturn and, if Marty has it worse, maybe I don't have to scramble so hard. Maybe I can just be grateful to be where I am."
She also points to an increase in the barter system and a genera 'giving up' when it comes to meeting annual sales. All of which sidelines the sideways glances. Sure, it's being replaced by communal fear -- but at least we're in this together.
Of course, it can't all be R&R, especially if you're the type to read Psychology Today. Use the extra mental space to do some big-picture planning. Go back to school. Or just step up to plan the Christmas party.
I do love the way she finishes this advice:
"Being forced to stand still can help you figure out if your ambitions truly coincide with your strengths and passions, or if they represent a younger, different you -- a restless you who will always want more.
Now, I've already changed career tracks once in this decade, so I'll stick with journalism (for now ;). But within these slow(er) afternoons, there's definitely room for cogitation.
Showing posts with label J-school. Show all posts
Showing posts with label J-school. Show all posts
Monday, November 16, 2009
Friday, October 9, 2009
Editors: Aim to please or stand your ground?
A comment made on my Facebook page today, made by a former journalism teacher, made me remember one of my favourite lessons of freelancing.
I was a fourth-year journalism student with a hefty assignment on green roofs. He was a senior editor who made quasi-promises about printing (and paying for!) said article.
But after weeks of sending him well-crafted, overly-polite emails -- one of which included the full 2,500-word article -- I started to get scared. In his first email he expressed sharp interest ... so why didn't he return any more emails?
Finally, I changed my tune. I wrote and said I was scared I'd made a mistake sending the article. Though I prefaced the note by claiming ignorance on the finer points of freelance ("they don't teach us this is J-school"), I ended with the aggressive "I hope I don't see this article, with the same sources but under a different byline, in a future edition of your newspaper."
Well, that got a response!
"I'll give you some advice about freelancing," the editor wrote, "don't go around accusing senior editors of stealing your story."
Whoa. Was i shut down or what?! I took his advice, and got more comfortable in my powerless freelancer position.
The thing is, just year later, I was on staff at that publication, and of course it wasn't long before I ran into that editor. Yes, he remembered me -- he even remember my article.
And a couple months later he recommended me for an article that dealt with some of the issues my original assignment had schooled me in. Because I was a copy editor at the time, I was able to earn some extra cash writing it, put my knowledge gained from the previous article to use, and give my freelance hopes a boost.
So did I make a mistake that day when I made such an accusation? I'm still not sure. I think I'd rather be remembered as someone who stepped out of line than forgotten among the heap of freelance pitches. And it remains a favourite story ... 'cause it helped lead me to give up the copy desk and write many more stories.
I was a fourth-year journalism student with a hefty assignment on green roofs. He was a senior editor who made quasi-promises about printing (and paying for!) said article.
But after weeks of sending him well-crafted, overly-polite emails -- one of which included the full 2,500-word article -- I started to get scared. In his first email he expressed sharp interest ... so why didn't he return any more emails?
Finally, I changed my tune. I wrote and said I was scared I'd made a mistake sending the article. Though I prefaced the note by claiming ignorance on the finer points of freelance ("they don't teach us this is J-school"), I ended with the aggressive "I hope I don't see this article, with the same sources but under a different byline, in a future edition of your newspaper."
Well, that got a response!
"I'll give you some advice about freelancing," the editor wrote, "don't go around accusing senior editors of stealing your story."
Whoa. Was i shut down or what?! I took his advice, and got more comfortable in my powerless freelancer position.
The thing is, just year later, I was on staff at that publication, and of course it wasn't long before I ran into that editor. Yes, he remembered me -- he even remember my article.
And a couple months later he recommended me for an article that dealt with some of the issues my original assignment had schooled me in. Because I was a copy editor at the time, I was able to earn some extra cash writing it, put my knowledge gained from the previous article to use, and give my freelance hopes a boost.
So did I make a mistake that day when I made such an accusation? I'm still not sure. I think I'd rather be remembered as someone who stepped out of line than forgotten among the heap of freelance pitches. And it remains a favourite story ... 'cause it helped lead me to give up the copy desk and write many more stories.
Tuesday, October 6, 2009
On Rewrites
Life's been pretty good in the freelance game, wiht editors regularly sending me quick-hit type stories and cheques coming in a few weeks after. I was getting into fashion writing, to the surprise of my rubber-boots-and fleece-wearing mom, and I was never short of work. I even took a month off!
(Well, sort of. On my honeymoon I wrote on the opening of a new Michael Kors store in Ottawa and contributed to KMKK radio/ MolokaiNews on Molokai).
And maybe it's true that "if people don't shop, people lose their jobs," but I was starting to feel like I shouldn't be placing all my eggs in one basket (no matter how fashionable that basket may be).
So I'm looking to health issues. I love physical activity, and I enjoy writing about that stuff, but medical issues are a bigger challenge, and probably a bigger market.
I should have known that this noble challenge I was taking on would mean going back to J-School, if just in terms of CP stylebooks and asking big questions about what the heck I'm really writing about. Yes, I got a big, overwhelming note from an editor saying that I hadn't answered some big questions and, worst of all, was writing in a promotional style. Maybe it was the year of fashion writing, because in J-school I think I was more inflammatory than promotional, but I took her comments to heart and ripped the article apart.
So last weekend, Saturday morning no less, saw me jotting down the gist of each point I wanted to make, then arranging them, then taping this arrangement to the wall in front of my desk. Of course, once I got my steam going I hardly glanced at this arrangement, but it helped me ask important questions about the subject at hand: the T-Zone machine, and exercise device that uses vibration technology to strengthen muscles.
And I still wasn't 100 per cent satisfied -- but my editors were. And I got more satisfaction out of answering basic questions about anaerobic exercise and muscle atrophy than I did finding the right descriptor for silk dupion (which I understand is made with double cocoons!)
PS -- I'm also hoping that rewrites lead to a better, more collaborative relationship with my editors. I know they're busy, but if I were an editor I'd try to make the time for this sort of thing. A springboard, a writing coach, a person to vent to. Once trust is there, it will make me work faster (and even for less. shh).
(Well, sort of. On my honeymoon I wrote on the opening of a new Michael Kors store in Ottawa and contributed to KMKK radio/ MolokaiNews on Molokai).
And maybe it's true that "if people don't shop, people lose their jobs," but I was starting to feel like I shouldn't be placing all my eggs in one basket (no matter how fashionable that basket may be).
So I'm looking to health issues. I love physical activity, and I enjoy writing about that stuff, but medical issues are a bigger challenge, and probably a bigger market.
I should have known that this noble challenge I was taking on would mean going back to J-School, if just in terms of CP stylebooks and asking big questions about what the heck I'm really writing about. Yes, I got a big, overwhelming note from an editor saying that I hadn't answered some big questions and, worst of all, was writing in a promotional style. Maybe it was the year of fashion writing, because in J-school I think I was more inflammatory than promotional, but I took her comments to heart and ripped the article apart.
So last weekend, Saturday morning no less, saw me jotting down the gist of each point I wanted to make, then arranging them, then taping this arrangement to the wall in front of my desk. Of course, once I got my steam going I hardly glanced at this arrangement, but it helped me ask important questions about the subject at hand: the T-Zone machine, and exercise device that uses vibration technology to strengthen muscles.
And I still wasn't 100 per cent satisfied -- but my editors were. And I got more satisfaction out of answering basic questions about anaerobic exercise and muscle atrophy than I did finding the right descriptor for silk dupion (which I understand is made with double cocoons!)
PS -- I'm also hoping that rewrites lead to a better, more collaborative relationship with my editors. I know they're busy, but if I were an editor I'd try to make the time for this sort of thing. A springboard, a writing coach, a person to vent to. Once trust is there, it will make me work faster (and even for less. shh).
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